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This Way

Article released: Monday, 12 July, 2004

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a red designed object made from acrylic, latex, indaflex, plastic, wool, nylon, polyester, lurex
Katherine Moline, Working drawing for Twist, tickle and swirl 2004, acrylic, latex, indaflex, plastic, wool, nylon, polyester, lurex, 165 x 360 x 60cm installed

This exhibition presents the work of three lecturers from the School of Design Studies at the College of Fine Arts and signals the different kinds of practices and research conducted by these colleagues.

Katherine Moline, Senior Lecturer and co-ordinator of Graphics/Media:  Memory as a concept seems like fiction when consumption, in whatever form, becomes expression, feeling and fantasy. 'Twist, tickle and swirl' represents pleasure and pain while 'Untitled' explores sublimated desire.  These works continue a series that compares representation and reality using manufactured materials: plangent absence felt via the designed relations between the work, the shadows they cast and the viewer.

Liz Williamson, Lecturer and co-ordinator of Textiles:  "Dark D'oyley" is part of a series titled "Domestic Damask" depicting selected domestic textiles preserved in historical collections or family use, re interpreted through contemporary Jacquard technologies. The small embroidered and repaired doyley is in the collection of the Tumbarumba Women's Hut Museum in southern NSW. Although the central repair dominates the small textile, it is not recorded in the documentation for the textile, highlighting the invisibility of women's domestic work. The damask weave structures used in the constructing draw on a recent enquiry into Irish Linen industry at its height in the 19th century, producing linen for European and American homes.

Vaughan Rees, Senior Lecturer and Associate Dean - International:  This body of drawings is a visual conversation about perception, memory and geographical location. Our sensing body is a crucible of memory-fed perceptions enveloping us as we move within our environment flooding and merging our sensations of the now with experience of the past.  These works are presented in pairs where the content in one drawing is the more recently observed geographical location and its twin morphs the recent with remembered places once experienced.

EXHIBITION DATES: 13 - 16 July 2004.
GALLERY HOURS: 10am - 5pm Tuesday to Friday

OPENING: Tuesday 13 June, 5 - 7pm

COFA Exhibition/Performance Spaces
EG01 & EG03, Ground Floor E Block
College of Fine Arts, The University of New South Wales
Corner Oxford Street & Greens Road, Paddington. 2021
Tel: 9385 0797

Story by Vaughan Rees