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Tactile Imagination: Design Research Processes | The College of Fine Arts

Tactile Imagination: Design Research Processes

When:    May 24, 2007  -  Jun 30, 2007
Artist(s): Rina Bernabei + Kelly Freeman, Tom Loveday, Andrew Macklin, Bill MacMahon + Matthew Johnson, Ainslie Murray, Ann Quinlan + Oya Demirbilek
Curated by: Tom Loveday
Additional Information: Thursday 24 May Opening Night 5.30-7.30pm Exhibition Talk Thursday 7 June 2.00pm
Matthew Johnson - glass, colour laminate LED light, Monument building residential foyer
Matthew Johnson in collaboration with Bill MacMahon Building Line 2005 glass, colour laminate, LED light, Monument building residential foyer, Oxford Street, Sydney NSW

In Tactile Imagination, industrial designers, architects and artists deliberately step outside their comfort zones and smash the boundaries of their disciplines.

Tactile Imagination is the brain child of Tom Loveday, senior lecturer in the Faculty of the Built Environment at UNSW. He invited fellow members of the faculty's Design Research Group to celebrate the creative process.

Tactile Imagination, is about taking risks and using a hands-on approach to making discoveries. Rina Bernabei + Kelly Freeman, Tom Loveday, Andrew Macklin, William MacMahon + Matthew Johnson, Ainslie Murray and Ann Quinlan + Oya Demirbilek use painting, sculpture, installation and digital projections to extend their theoretical research into the real world of art.

Architect William MacMahon teamed up with Matthew Johnson, one of Australia's best known abstract painters. In Apelles' Line 4, they explore the dynamic possibilities of LED lights as colour compositions in interior space.

Tom Loveday tries to see the world through the eyes of an extra terrestrial. His 52 paintings and book, Infrathin: Advice for Aliens, are a bold graphic mix of semaphore-esqie symbols and the deliberately obscure notions of avant garde trickster Marcel Duchamp.

Successful industrial design duo, bernabeifreeman use their distinctive lighting designs to create an installation which explores the unexpected similarities between textiles and sheet metal.

For further information please contact Ivan Dougherty Gallery

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